How does an RGB color space at 4.4.4 color difference comes into play when going to TV distribution ? Why and How a 10 bits log matters ? How does the contrast range of film compares to the dynamic latitude of video ? Am i better off having my black crunched or my highlights washed out ?... Those issues are not always easy to answer because every projects is different and each camera has its own limitations. Let's work together to get the best out of those digital tools.
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